The first thing we learned during February’s Facets of Leather was this: Quail and partridge are not the same birds.
Our Superfan explains.
And why were we discussing game fowl on a show about leather that never, ever tangents, you might ask? Well, that was because our special guest was my Misfits brother Scott, who a) raises quail commercially, b) is married to an Australian, and c) JUST WON MR. TEXAS LEATHER!!!
On the Friday afternoon before the official meet and greet, Scott stopped by Leather Masters to have a patch sewn on his vest, and while he was waiting, he espied a twenty-something young man looking at harnesses. They struck up a conversation, and the kid mentioned that he’d never worn a harness before, so Scott went through the different designs with him, helped him pick out a flattering one, and showed him how to put it on. The kid was thrilled and thanked Scott profusely for his assistance (and bought the harness), and after he left, this other customer came over to Scott and shook his hand and was like, “Hello! I’m one of your judges.”
Scott won the contest for a number of reasons, but having a judge witness him accepting and proactively educating a newcomer to the leather community — and doing this without knowing he was being watched — most assuredly did not work against him. We (the royal we, that is, along with the rest of the Misfits) are beyond proud of him.
So, regarding our musical selections, anyone tuning in Saturday night/Sunday morning may have noticed a slight glitch, in which one song with… lets call them questionable lyrics… started playing, quickly faded out, and was then replaced with a trance hit from the early 90s. Please find below a behind-the-scenes look at what happened.
Earlier in the day, I’d sent Robert some suggestions, including “Oasis” by Amanda Palmer, and when he handed me the playlist that night, I noticed he’d included it. So I was like, “Um, did you listen to this one?” And he was like, “No. Why?” So I told him about the song, and he was like, “Alrighty, then. Let’s scratch that one right off.” Problem was, we didn’t really make this clear to our producer, who didn’t find out the song had a controversial history until after she hit “play,” and I bolted into the production booth yelling “NOT THAT ONE NOT THAT ONE NOT THAT ONE.”
I normally welcome all things polemic, but we’re right in the middle of KPFT‘s annual pledge drive, and I’d much rather take calls that are all, “Hello! I’d like to donate a million dollars!” versus “What the indubitable fuck is wrong with you people?”
You can click here to donate, by the bye, and don’t forget to select Facets as the program you’d like to support. (And, if you’re feeling at all punchy today, maybe don’t listen to the following until after you do so.)