The cast and crew of Facets of Leather learned an important lesson this month: Always take a nap before late-night radio broadcasts. Because none of us did, we were unreasonably giggly by 1:30 a.m., and dangerously close to incoherent by 2. But we did manage to mainly stay on topic, covering the highs and lows of this year’s Cleveland Leather Awareness Weekend, along with a preface to IML 2019 (including my new role as the face of unsafe leathersex).
And then we veered off into an animated (no pun indended) discussion on surviving the Zombie Apocalypse. Which somehow ties into leather. I forget why.
On the local front, we had really good talk about the “Stonewall 50” exhibit currently on display at the Contemporary Arts Museum Houston, which features salvaged and refurbished bar tops provided by the Gulf Coast Museum and Archives. And, because he doesn’t listen to the show, we deconstructed the important issues surrounding my Misfits brother Tony‘s inability to keep a shirt on for more than a few minutes at a time, which our superfan Orin thoughtfully incorporated into his monthly meme:
Music-wise, we decided to play nothing but ABBA covers this month, because we could, and because nobody tried to stop us.
Robert approved of most of the tributes I came up with, but he drew the line at a particular track from the original Hamburg production of Mamma Mia!, using the fairly acceptable logic that people might get a little unsettled listening to Germans singing “The Winner Takes It All.” It was probably the right call. However, I will share with my loyal Marjorettes my peronal, all-time favorite ABBA cover, which was released right before my senior year in high school and served as my introduction to both ABBA and drag. It’s as if the Powers That Be knew The Adventures of Priscilla, Queen of the Desert was going to come out a few years later and wanted to make sure I was properly prepared to appreciate it. I’d like to take a moment now to thank those Powers for Their foresight.